{{Infobox musical artist 2
| Name = The Pointer Sisters
| Background = group_or_band
| Img = PointerSistersBestOf.jpg
| Img_capt = The Pointer Sisters in 1982. Left to Right: June Pointer, Anita Pointer and Ruth Pointer.
| Alias = The Pointers - A Pair
| Origin = Oakland, California, United States
| Genre = R&B, soul, pop, dance, rock, Jazz, country
| Years_active = 1969 - present
| Label = Atlantic
Blue Thumb
ABC
Planet
RCA
Motown
SBK
| Current_members = Anita Pointer
Ruth Pointer
Issa Pointer
| Past_members = Bonnie Pointer
June Pointer
}}

The Pointer Sisters are an American Grammy Award-winning R&B group and recording act from Oakland, California that achieved great success during the 1970s and 1980s. Spanning four decades together between 1969 and the recent date, their repertoire has included diverse genres as R&B, jazz, bebop, country, soul, funk, dance, new wave and rock.

The group originally comprised four sisters: Ruth, Anita, Bonnie and June. First formed as a quartet, they achieved their greatest success as a trio after Bonnie left the group to commence a solo career.

Early days

As children the girls were encouraged to sing gospel music by their parents Reverend Elton and Mrs Sarah Pointer, but in their household they were told rock and roll and the blues were "the devil's music", and it was only when they were away from their watchful parents that they could sing these styles of music. They regularly sang at the church but as they grew older their love of other styles of music began to grow. When June brought home a copy of the Elvis Presley record ''All Shook Up'', she was surprised that her mother allowed her to play it, until she discovered that her mother had been pacified by the "B" side of the Presley record "Crying in The Chapel".

After leaving school it was Bonnie who sought a show business career, and she convinced June to join her to form a duo, "Pointers, A Pair". Shortly after this, Anita quit her job to join the group. They began touring and performing and provided backing vocals for such artists as Grace Slick, Sylvester James, Boz Scaggs and Elvin Bishop, and it was while supporting Bishop at a nightclub appearance that the sisters were signed to a recording deal with Atlantic Records in 1971. The resulting singles that came from their Atlantic tenure failed to win an audience but the sisters were enjoying themselves, and the temptation to join them finally overwhelmed Ruth. Before they began to record their first album, the trio had become a quartet, in which afterwards they signed with David Rubinson's Blue Thumb record label.

Upon signing, they agreed that they did not want to follow the current trend of pop music, but wanted to create an original sound that combined jazz, scat and be-bop music. In searching for a visual style they remembered the poverty of their childhood and their mother's ability to improvise, and used their experience to assemble a collection of vintage 1940s clothes from various thrift shops, that would comprise their costumes and give them the distinctive look they were searching for.

In 1972, they were asked to record Pinball Number Count, a series of educational cartoons, teaching kids how to count. It made its debut on Sesame Street in 1977 and was a feature on Sesame Street for many years.

They made their debut performance at the Troubador nightclub in Los Angeles in May 1973 and the reaction from the crowd was enthusiastic. Shortly after they made their television debut on ''The Helen Reddy Show''.

First success as recording artists

Their self titled first album, was released in 1973 and received positive reviews, with the group being lauded for their versatility and originality. The first single from it, "Yes We Can Can", reached number 11 on the pop charts, and would go on to establish itself as an R&B classic. A second single also charted well, and the group's thrift shop style began to catch on with fans, many of whom would attend their shows in similar attire.

The following year they released their second album titled ''That's a Plenty''. It continued in the jazz and be-bop style of its predecessor but provided one exception that caused a great deal of interest. The song "Fairytale" written by Anita and Bonnie was a country song, and while it reached number 13 on the pop charts, it also made number 37 on the country charts. Based on this success the group was invited to Nashville, Tennessee where they achieved the rare distinction of becoming the first black female singers to perform at the Grand Ole Opry. In 1975 the group won a Grammy Award for Best Country Performance by a Duo or Group with Vocal for "Fairytale", and Anita and Bonnie were nominated as songwriters for the Grammy Award for Best Country Song. The song would later be covered by acts such as Elvis Presley.

Their third album, and arguably best, was released in 1975. ''Steppin''' produced their Grammy-nominated number one R&B single, "How Long (Betcha Got a Chick on the Side)", which was later sampled by female rap icons Salt 'N' Pepa a decade later.

They scored a few R&B hits from the same album, and in 1976 appeared in the classic blaxploitation film ''Car Wash''.

Their last album as a quartet was the funk/dance album ''Having a Party'', released in 1977. It failed to reach the top 40.

The quartet becomes a trio

In 1977, Bonnie left the group to sign a contract with Motown Records, and this led to a brief successful solo career. Her first self-titled album produced the catchy dance tune "Heaven Must Have Sent You". The album was produced by Jeffrey Bowen and Berry Gordy.

Now a trio, the remaining sisters could not contemplate the group continuing in its current style without her so they cut back their schedules and concentrated on raising their families. As they did so, they began talking about the future of the group and what direction it should take. Unsure of what style to follow, they unanimously agreed to dispense with the 1940s nostalgia that had become their image.

They signed with producer Richard Perry's Planet label, distributed by Elektra Records. With Perry they began working on an album of west coast soft rock which was released in 1978 with the title ''Energy''. The first single, a cover version of Bruce Springsteen's "Fire" climbed to number two on the US singles charts in early 1979, and an upbeat dance song, "Happiness", also charted well.

In 1979 they released an album of cover versions titled ''Priority'', and while it was not a commercial success, it received positive critical reviews.

The height of their success

Over the next few years they achieved their greatest commercial success and continued to demonstrate their versatility. In 1980 the soulful pop single, "He's So Shy", reached number three on the charts, and the following year a slow, sultry, country and western flavoured ballad, "Slow Hand", reached number two. The follow-up, "Should I Do It" was classic girl-group. Perry switched distribution of Planet to RCA in 1982. The first release from this new union was "American Music", a patriotic themed modernised take on the girl-group sound while "I'm So Excited" was an influential frenetic dance track. All these singles were significant hits in the US and were also successful in Australia, where all but "American Music" reached the Top 20.

In 1983, the Pointer Sisters released what became their biggest-selling album ever with ''Break Out''. With the advent of MTV the sisters were able to exploit their visual style and extend their audience. In 1984 they achieved four Billboard Hot 100 top 10 singles in a row. "Automatic" reached #5, "Jump (for My Love)" (a hit 20 years later in the UK for Girls Aloud) reached #3, a re-release of "I'm So Excited" reached #9, and their single from the ''Beverly Hills Cop'' soundtrack, "Neutron Dance", reached #6.

"I Need You" had been the lead single from the album, and was a significant R&B hit as it peaked at #13 on the Black Singles charts. The album's last single, "Baby Come And Get It," missed cracking the pop Top 40 by a hair but would be brought to life in the next millennium through its use in a television commercial. They received Grammy Awards for Best Pop Performance by a Duo or Group with Vocal for "Jump (For My Love)", and Best Vocal Arrangement for Two or More Voices for "Automatic". These songs also followed "Slow Hand" into the UK Top 10, with "Automatic" peaking at number 2 behind Duran Duran's "The Reflex".

These Planet singles marked the end of their run of Top 10 hits in the US, with their subsequent RCA releases "Dare Me" in 1985 (the Sisters' last Australian Top 10 hit), and "Goldmine" in 1986, reaching numbers 11 and 33 respectively.

The sisters eventually left RCA Records to record for Motown, releasing several group albums and individual solo albums along the way, but these projects did not achieve the level of success they had earlier attained.

Recent years

In recent years they have maintained a lower public profile but have continued to perform. They entertained US troops in the Persian Gulf in 1991 with Bob Hope. In 1994 they were honoured with a star on the Hollywood Walk of Fame and began touring with a production of the Fats Waller-based musical ''Ain't Misbehavin'''. In 1995 Pointer Sisters recorded "Feel For The Physical" as a duet with Thomas Anders (of Modern Talking fame) for his album '' Souled''. They were also one of the featured acts at the closing ceremonies of the 1996 Atlanta Summer Olympics. In 2004, June Pointer had to leave due to health problems; she was replaced by Ruth's daughter, Issa, and the group continues to perform. They made a 2005 holiday recording ''Christmas In New York'', featured on YMC Records' ''Smooth & Soulful Christmas Collection'', which peaked at No. 21 on the Billboard AC Charts. The sisters were inducted to the Vocal Group Hall of Fame in 2005.

In recent years many Pointer Sisters songs were covered by contemporary artists, such as "Jump (for My Love)" by Girls Aloud, which reached number 2 at the UK singles chart in 2003, "Dare Me" was turned into the dance smash "Stupidisco" by Belgian DJ Junior Jack, indie band Le Tigre covered in 2004 "I'm So Excited" on their third album ''This Island'', and French DJ Muttonheads sampled "Back In My Arms" on his 2005 club hit "I'll Be There". Most recently in 2007, Tommy Boy recording artist Ultra Naté has released a dance-pop cover of "Automatic" that reached #1 at the US Hot Dance Music/Club Play charts. In 2005, "Pinball Number Count" was re-edited for Coldcut's Ninja Tune label, becoming a surprise dance hit. The same song has also been remixed by Venetian Snares of the Planet Mu record label.

The band is currently experiencing a successful revival in Europe due to their performance at the annual Night of the Proms, a highly successful series of concerts combining pop and classical music, taking place in the Benelux, France and Germany. The group received the highest audience ratings of all participating Night of the Proms acts in 2002. In addition, their collaboration with Belgian pop star Natalia on "Sisters Are Doin' It For Themselves," placed them on the charts in Europe (the single peaked at #2 in the Belgian charts) and resulted in ten sold out dates in Antwerp in January 2006 with the "Natalia Meets The Pointer Sister" concerts, selling out 130.000 tickets for the 10 date concert run.

On June 7th, 2006, Anita guest-starred on ''Celebrity Duets'' singing with Olympic gymnast Carly Patterson on "I'm So Excited".

Tragedy and Controversy

In 2001, the sisters lost their beloved mother Sarah, two years later in 2003, sister Anita, lost her only child Jada to cancer.
On April 11, 2006, June Pointer died of lung cancer at UCLA Medical Center in Santa Monica, California. According to an official family statement she was surrounded by her sisters Ruth and Anita as well as brothers Aaron and Fritz at the time of her passing.
Later in 2006, sister Bonnie appeared on Entertainment Tonight saying the other sisters had not fulfilled the burial wishes for June, instead having her cremated because it was cheaper. Bonnie also stated the sisters had not let her ride in the family car at the funeral. Anita and Ruth responded that Bonnie had demanded to be let back in the group and that June had left no instructions for her burial. The sisters seemed estranged from Bonnie until she joined Anita Pointer on the Idol Radio Show in 2007. That archive is still available at www.IdolRadioShow.com

US, UK and Australian Top 40 singles

The following singles reached the Top 40 of either the United States pop singles chart, the United States R&B singles chart, the United Kingdom pop singles chart, or the Australian ARIA charts.

\|- bgcolor="#CCCCCC" \|Year \|\| Song title \|\| USA Pop \|\| USA R&B \|\| UK Top 75 \|\| Australia ARIA \|\| Album \|- \| 1973 \|\| "Yes We Can Can" \|\| 11 \|\| 12 \|\| - \|\| - \|\| The Pointer Sisters \|- \| 1974 \|\| "Wang Dang Doodle" \|\| - \|\| 24 \|\| - \|\| - \|\| The Pointer Sisters \|- \| 1974 \|\| "Fairytale" \|\| 13 \|\| - \|\| - \|\| 30 \|\| That's a Plenty \|- \| 1975 \|\| "How Long (Betcha Got a Chick on the Side)" \|\| 20 \|\| 1 \|\| - \|\| - \|\| Steppin' \|- \| 1975 \|\| "Going Down Slowly" \|\| - \|\| 16 \|\| - \|\| - \|\| Steppin' \|- \| 1976 \|\| "You Gotta Believe" \|\| - \|\| 14 \|\| - \|\| - \|\| The Best Of The Pointer Sisters \|- \| 1978 \|\| "Fire" \|\| 2 \|\| 14 \|\| 34 \|\| 7 \|\| Energy \|- \| 1979 \|\| "Happiness" \|\| 30 \|\| 20 \|\| - \|\| - \|\| Energy \|- \| 1980 \|\| "He's So Shy" \|\| 3 \|\| 10 \|\| - \|\| 11 \|\| Special Things \|- \| 1980 \|\| "Could I Be Dreaming" \|\| - \|\| 22 \|\| - \|\| - \|\| Special Things \|- \| 1981 \|\| "Slow Hand" \|\| 2 \|\| 7 \|\| 10 \|\| 5 \|\| Black & White \|- \| 1982 \|\| "Should I Do It" \|\| 13 \|\| - \|\| - \|\| 16 \|\| Black & White \|- \| 1982 \|\| "American Music" \|\| 16 \|\| 24 \|\| - \|\| - \|\| So Excited! \|- \| 1982 \|\| "I'm So Excited" \|\| 30 \|\| - \|\| - \|\| 9 \|\| So Excited! \|- \| 1983 \|\| "I Need You" \|\| - \|\| 13 \|\| 25¹ \|\| - \|\| Break Out \|- \| 1984 \|\| "Automatic" \|\| 5 \|\| 2 \|\| 2 \|\| 15 \|\| Break Out \|- \| 1984 \|\| "Jump (For My Love)" \|\| 3 \|\| 3 \|\| 6 \|\| 8 \|\| Break Out \|- \| 1984 \|\| "I'm So Excited" (Remix) \|\| 9 \|\| - \|\| 11 \|\| - \|\| Break Out \|- \| 1984 \|\| "Neutron Dance" \|\| 6 \|\| 13 \|\| 31 \|\| 4 \|\| Break Out \|- \| 1985 \|\| "Baby Come And Get It" \|\| - \|\| 24 \|\| - \|\| 29 \|\| Break Out \|- \| 1985 \|\| "Dare Me" \|\| 11 \|\| 6 \|\| 17 \|\| 10 \|\| Contact \|- \| 1985 \|\| "Freedom" \|\| - \|\| 25 \|\| - \|\| - \|\| Contact \|- \| 1986 \|\| "Goldmine" \|\| 33 \|\| 17 \|\| - \|\| - \|\| Hot Together \|- \| 1988 \|\| "He Turned Me Out" \|\| - \|\| 39 \|\| - \|\| - \|\| Serious Slammin' \|- \| 1990 \|\| "Friends' Advice (Don't Take It)" \|\| - \|\| 36 \|\| - \|\| - \|\| Right Rhythm

¹The song did not chart on its original UK 1983 issue but was reissued in 1984 after Automatic and Jump (for my love) became top 10 hits.

US and UK Top 40 albums

1973: ''The Pointer Sisters'' (#13 Pop/#3 R&B)

1974: ''That's a Plenty'' (#33 R&B)

1974: ''Live at the Opera House'' (#29 R&B)

1975: ''Steppin''' (#22 Pop/#3 R&B)

1976: ''The Best of the Pointer Sisters'' (#33 R&B)

1978: ''Energy'' (#13 Pop/#9 R&B)

1980: ''Special Things'' (#34 Pop/#19 R&B)

1981: ''Black & White'' (#12 Pop/#9 R&B/#21 UK)

1982: ''So Excited!'' (#24 R&B)

1983: ''Break Out'' (#8 Pop/#6 R&B/#9 UK)

1985: ''Contact'' (#24 Pop/#11 R&B/#34 UK)

1986: ''Hot Together'' (#39 R&B)

1989: ''Jump: The Best of the Pointer Sisters'' (#11 UK)